Pink Noise is an ongoing live coding and modular synthesis project that explores the stochastic properties of electronic sound. Using SuperCollider and a custom Eurorack system, I generate self-evolving sonic textures that blur the line between composition and generative process.
Each performance is a unique algorithmic improvisation where code becomes instrument. The project investigates how randomness and controlled chaos can produce emotionally resonant musical structures, drawing from both electroacoustic tradition and contemporary computer music.
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